Writing contemporary fiction: the pros and pitfalls

The first handful of novels I wrote were contemporary young adult fiction.

Actually, the first novel I wrote was science fiction but the first novel I completed was contemporary and not originally intended to be young adult but eventually rewritten and marketed for that category.

There are definitely advantages to setting a story in the present day and using commonplace references.  For one thing, there is a shorthand between author and audience. For instance, if I have a character refer to a celebrity named "Lindsay," you know I mean Lindsay Lohan. If I talk about Facebook or YouTube, you get what I'm saying. I don't need to waste time explaining things that we all understand.

With contemporary fiction, it's easy to throw in cultural references as mile markers or for in-jokes.

But what happens in fifteen years? Will readers know who Psy was? Or what the Harlem Shuffle was? Will TV shows like "Dexter" and "Breaking Bad" be remembered in all their intricate glory? If I say a character was like Walter White, will they think he was simply cruel and manipulative or will they get the multi-dimensionality of him?

No?  Well, what about in ten years? Five?  Three? One?

My first published novels were, naturally, written years prior to their actual publication. As we got closer to the books' pub dates, my editor and I made sure references that could be badly dated were cut or made generic so the books would be as fresh as possible. But there is no getting around the fact that the world changes really, really fast. And things that were big or popular or seemingly impossible to forget were forgotten or left behind.

Things I thought would become big didn't. Things I didn't think could become big did.  After all, I am not a seer.

LOL (will that be old soon too?)

As a result, some things about my books became dated. Certain things my characters did became hard to understand a few years later. Readers today don't consider the time having passed between writing and reading and they wonder, in reviews and to themselves, "Why didn't Vee use the internet for finding work?" (Because when it was written, that wasn't how it was done.) "Why didn't Meg have a cell phone of her own?" (Because when it was written, they were far too expensive for a poor girl.) Things like that throw the reader off and make them question the author's expertise.

Believe me, if I could have seen the future of cameraphones and people taking "selfies," I would have used them but back then, it would have been seen as impossible. Then I really would have been writing science fiction.

My hometown indie bookstore closing

I was saddened to learn of the decision to close The Alphabet Garden, a children's bookstore in Cheshire, Connecticut where I had an amazing event for my first book, LOVE, MEG (newly-released as an e-book titled, JENNIFER ANISTON IS MY BEST FRIEND).  Back in the summer of 2007, Karlene Rearick, the store's owner, held an event for my friends and family at her small store which was in the Watch Factory Shoppes at the time.  We had cupcakes and cake and I read from the book and signed lots of copies. I was incredibly nervous but it was a ton of fun. Not long after I returned to LA, I posted some photos from that signing.  It reminds me of a very special time in my life, one that I know not every author has a chance to enjoy.

A book signing for a debut author is really not for the masses, unless you're a celebrity and your first book is a juicy memoir.  Typically, the signing event is for the author and her friends and family.  They are excited for you and want to share in your book's release and since they were planning to buy the book anyway, they might as well do it as part of an event. It's fun to choose a theme that ties into the book - whether it's food or music or other entertainment - and it can be a great way for a bookstore owner to introduce her store to new customers.  So it's win-win-win for everyone.

But not all authors can do this.  First of all, the number of indie bookstores is dwindling and there's really only one chain left, B&N.  Then too, not all books are released as paper or hardcover so there may not be an actual book to sign.  And finally, they don't draw the numbers of people they used to. If you're a friend of the owner, that might be incentive enough to hold a signing.  If you're a good customer, that's another reason.  But let's be honest: with fewer stores and more e-books, chances are not good that you're a frequent customer at any store.  In fact, when I mentioned to my husband that The Alphabet Garden was closing, he said, "When was the last time you were in a bookstore?"

I don't know.  I don't have much money to spend on books, frankly, so I rely on free classics and other low-priced books from Amazon for my Kindle. I buy friends' books at their signings, of course, or as a download for my Kindle, but no, I don't go to bookstores often.  I used to love Borders but they're all gone and I never did care for B&N because they rarely stocked my books. Truth, okay?

People bemoan the demise of bookstores, and I agree with them to a certain extent.  There is a charm to stores and to physical books.  I have always loved libraries, even more than bookstores, because I could spend hours in the stacks, uninterrupted by someone asking if they could help me find something ("Yes, help me find an author I've never heard of who I will love instantly"). I discovered more authors that way.  And the thrill of seeing my own book on the stacks is indescribable.  One of the most amazing things to me in the world was seeing my titles shelved in the local library, and knowing they're available all over the world in other libraries.

A really big part of me wishes I could have continued to publish with Penguin.  I had major plans for my books and they did too - until the books didn't sell as fast as they wanted them to. But I still have plans and I still have stories to tell and I want to share them with readers.  What am I  supposed to do now that publishing isn't what it used to be?  Now that bookstores are tanking and the only books published by major publishers are high concept series, am I supposed to simply stop writing?

Here we are: five summers after my first novel was published and I held that awesome signing at The Alphabet Garden, the store is closing - and I just released the same novel as an e-book.  I'm very disappointed the store couldn't make it through this terrible economy and I wish Karlene Rearick the best of luck in whatever she does next.  I will forever be grateful for that signing in her store, for her support of me as a local(ish) author, and for all the friends and family who made it there to celebrate with me.
Adapt or perish, right?  It took me a while to accept e-books as real books and even longer to accept self-publishing as a viable alternative to traditional publishing. But I want to continue to write and to sell and to make a literary connection with other people.  So you do what you have to do.

Here's a link to the article about The Alphabet Garden's closing.  Thank you, Karlene!

Why re-release an OOP book?

First of all, my novel, JENNIFER ANISTON IS MY BEST FRIEND, is now available on Kindle and soon will be on Nook.  Yay!  It's got a cool cover and everything.

It was originally published as LOVE, MEG back in 2007.  It went out of print (OOP in pub-speak) in late 2009 and the rights reverted back to me a few months later when I requested them from the publisher.

So why I am re-releasing it now? And in fact, why would anyone re-release a book that has gone out of print?

Well, for one thing, not many people have seen it.  Clearly!  Or else the book might not have gone out of print in the first place.  Every year, thousands of books are released by the Big Six publishers and thousands more by small and independent presses.  It's just a fact of publishing life that not every author will get a share of the marketing pie.  There are only so many spots on that Barnes & Noble table, after all. I don't believe MEG got the push it needed to get into readers' hands.

Secondly, more people have e-readers than ever before and they are always hungry for new material to read (I know I am!).  Because I am publishing this independently, I have the ability to price the book at a more-than-reasonable 99 cents.  How's that for a deal?  Seriously, I'm not trying to get over on anyone.  I know the book was previously released so I think a buck is a decent price. Anything to get more people reading it.

For a third reason, I never liked the title it came out with.  It was okay but it didn't really convey what the book was about. Way too many people commented that it sounded like a romance (and then they were disappointed it wasn't!) or that it was too generic and bland. I understand that. Which is why I wanted to go back to my original title, JENNIFER ANISTON IS MY BEST FRIEND, in much the same way I reverted to FAT GIRLS IN LA for the VEE novel. The titles are eye-catching and thought-provoking and they make you want to pick them up for a look-see.

And finally...yeah, I like this story.  I like FAT GIRLS too. I want other people to see them and get to know them. I felt bad for my books when they went OOP. They were like my children who got rejected from a good college. I kept thinking, "No, give them a chance! They're hard workers and funny and sweet. They may be smaller than the other kids but they're just as smart."

You never want to see your kids rejected. So now I have the opportunity to send them off to school in my own way.